Four hundred million on a ten-million film
A horror picture directed by a twenty-one-year-old made more this summer than most studio tentpoles, and made its distributor the fourth-largest in America.
A horror picture directed by a twenty-one-year-old made more this summer than most studio tentpoles, and made its distributor the fourth-largest in America.
Adaptations were a running joke for two decades. They are now the closest thing to a reliable franchise pipeline the studios have.
RYDE strips the vampire myth down to a rideshare pickup, and the filmmakers behind it learned storytelling inside the same attention economy the film weaponizes.
Restored classics, anniversary runs, and 35mm programming are filling houses that first-run releases can't, and theater owners have noticed.
Anniversary re-releases have become a reliable line of business, and the incentives reach from the vault to the marquee.
Audiences reward films that build what they show, and productions are relearning crafts the digital era nearly retired.
As streaming libraries shuffle and shrink, collectors and boutique labels have turned owning films into a movement.