The CD is up fifty-nine per cent
American recorded music grew 6.9% in the first half. The fastest-growing format was the one the industry spent twenty years writing off.
American recorded music grew 6.9% in the first half. The fastest-growing format was the one the industry spent twenty years writing off.
Uploads to streaming services have reached a rate no audience can absorb. A fifth of everything already there was streamed exactly zero times last year.
Global recorded music grew again, and the fastest-growing markets are ones the industry's infrastructure was not built around.
The largest events are more profitable than ever. Independent festivals are closing at a rate that has removed a fifth of them in three years.
Physical formats were supposed to be a nostalgia trade winding down. They are the fastest-growing line in recorded music.
Generated tracks now arrive faster than human ones. The platforms' problem is not taste, it is that a share of the plays are fraudulent.
A small fraction of listeners generates most of the money an artist actually receives, and the industry has finally started building for them.
Streaming is the volume business and it grows slowly. Licensing a song to a screen is the smaller number that is moving.
For fifteen years every stream paid the same. The platforms are now deciding that some plays should count for more, and the arguments are about who loses.
The fee was never the problem. Revealing it on the last screen was, and federal rules now require the number to appear first.
A song's cash flows did not change when the discount rate did. What a buyer will pay for them changed a great deal.
Stadium touring has never earned more. The clubs where headliners learn to hold a room are the part of the business that is failing.
Half a century on, the Rolling Stones' 1971 album remains the template for how a band turns danger into durability.
Catalog music dominates listening because the platforms, the playlists, and the economics all bend toward the proven.
Legacy acts have turned goodbye into a franchise, and the audiences keep coming because the songs are the point.
Fleetwood Mac's 1977 masterpiece has been rediscovered by every platform era, and its resilience explains how catalog culture works now.